Macbeths Guilt Essay -- Macbeth essays

Characters in the Shakespearean tragedy Macbeth scarcely feel guilt - with two exceptions: Macbeth and Lady Macbeth. In this essay let's consider their guilt-problem. In his book, On the Design of Shakespearean Tragedy, H. S. Wilson comments regarding the guilt of the protagonist: It is a subtler thing which constitutes the chief fascination that the play exercises upon us - this fear Macbeth feels, a fear not fully defined, for him or for us, a terrible anxiety that is a sense of guilt without becoming (recognizably, at least) a sense of sin. It is not a sense of sin because he refuses to recognize such a category; and, in his stubbornness, his savage defiance, it drives him on to more and more terrible acts. (74) Blanche Coles states in Shakespeare's Four Giants that, regarding guilt in the play: Â   Briefly stated, and with elaborations to follow, Macbeth is the story of a kindly, upright man who was incited and goaded, by the woman he deeply loved, into committing a murder and then, because of his sensitive nature, was unable to bear the heavy burden of guilt that descended upon him as a result of that murder. (37) Â   A.C. Bradley in Shakespearean Tragedy demonstrates the guilt of Macbeth from the very beginning: Â   Precisely how far his mind was guilty may be a question; but no innocent man would have started, as he did, with a start of fear at the mere prophecy of a crown, or have conceived thereupon immediately the thought of murder. Either this thought was not new to him, or he had cherished at least some vaguer dishonourable dream, the instantaneous recurrence of which, at the moment of his hearing of prophecy, revealed to him an inward and terrifying guilt. (316) Â   In "Memoranda: R... ...1957. Â   Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy. Toronto, Canada: University of Toronto Press, 1967. Â   Kemble, Fanny. "Lady Macbeth." Macmillan's Magazine, 17 (February 1868), p. 354-61. Rpt. in Women Reading Shakespeare 1660-1900. Ann Thompson and Sasha Roberts, eds. Manchester, UK: Manchester University Press, 1997. Â   Shakespeare, William. The Tragedy of Macbeth. http://chemicool.com/Shakespeare/macbeth/full.html, no lin. Â   Siddons, Sarah. "Memoranda: Remarks on the Character of Lady Macbeth." The Life of Mrs. Siddons. Thomas Campbell. London: Effingham Wilson, 1834. Rpt. in Women Reading Shakespeare 1660-1900. Ann Thompson and Sasha Roberts, eds. Manchester, UK: Manchester University Press, 1997. Â   Wilson, H. S. On the Design of Shakespearean Tragedy. Toronto, Canada: University of Toronto Press, 1957.

The Postal Age Book Review

The introduction used by Henkin was unique to the book. He utilized the story of Anthony Burns. A fugitive slave that was captured, Mr. Burns miraculously managed to write several letters from his jail cell in the state of Virginia, 1854. Mr. Burns managed to utilize the facilities postal system to communicate with his lawyer in Boston. Henkin used this story as a powerful introduction to the main portion of the book. The tome, The Postal age is broken down by Henkin into two distinct sections. Joining Network† which primarily focuses on the systematic nut and bolt spread of the postal system, how and what did people mailed and mail in a developing urban environment. The second section is â€Å"Postal Intimacy† which takes a look at the cultural aspect of letter writing styles and the cliches associated to its respective culture. Chapter Two, â€Å"Malleable matters† went on to discuss what people really mailed and how it was molded and evolved during his era of s tudy.Henkin spoke about the History of Transient newspapers were periodicals that were passed along by the post by someone other than the main publisher. People of that time used newspapers to relay information to recipients in very faraway places. This practice was fairly inexpensive as opposed to sending a regular letter. The postal bureaucracy didn’t agree with this practice and proceeded to shut it down. Sometime by the year 1845 Congress had actually passed an act the reduced the price of letters. This price reduction made it more attractive to send Letters as opposed to using Transient Newspapers.Henkin really didn’t cover much of the political legislation regarding such reforms. Covering such topics might have been helpful in completely understand the nuts and bolts of Joining a Network. Furthermore, Henkin addresses the rising transitory movements that were taking place during that time of the century. He addressed in particular how the migrant men of the Gold Rush and those of the Civil War wrote letters. During those times the men of the Gold rush were constantly surrounded be the debauchery of army camps and gold mining towns.Familial correspondence from mothers, sisters and wives became things that morally anchored these wandering men. This form of correspondence became a symbol of domesticity and moral influence. Men who had spend the previous night heavily drinking, carousing with prostitutes could open a letter from his loved ones and be swept up in a fit of repentance. The postal system wasn’t simply a form of communication but rather at times a moral anchor for those of which were a long ways from home. Mr. Henken went on to discuss the other types of the postal system

Exhibition Analysis The Super Real Pop Art Essay

Exhibition Analysis The AGO exhibition for the Super Real: Pop Art from the AGO collection runs from September 2016 until the end of the year. Former curator Mario Amaya leads this exhibition and displays the artwork in the Edmund G. Odette Gallery of the AGO. The exhibition presents a diverse array of artwork from large silkscreen images to a cardboard burger sculpture sitting in the middle of the space. The exhibition has a small collection but has iconic pieces that are central to the story of the Pop Art movement of the 1960s. For instance, one of the crucial works shown in the gallery is Andy Warhol’s 1963 Elvis I and II silkscreen painting. As there was two Elvis’ on one side with colour, then another two Elvis’ on one side featured in black and white. Elvis is in a cowboy outfit while standing in a gunslinger pose on both sides of the painting. Each panel is 82 x 82 inches and is made from silkscreen ink, spray paint and acrylic paint. A thin and shiny golden frame surround s the composition, which brings Warhol’s piece together. This painting is the most noticeable in the exhibition, as the contrast of one side with colour and the other with black and white draws the viewer in. Another significant work featured in the exhibition is Claes Oldenburg’s 1962 Floor Burger sculpture. The artwork appears on the floor of the space, as it is 1.32 meters by 2.13 diameters in size. The Floor Burger is overwhelming to look at as it a something that is typically much smallerShow MoreRelatedAnalysis of the Music Industry30024 Words   |  121 Pagesas `the food of love (Shakespeare) or more prosaically as `sound with particular characteristics (Wikipedia), but it is undeniably a `vibrant artform (Arts Council England) and one which touches more people, in more ways, than any other art form. 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